Satire and humor in the discourse of the Revolution of Dignity

Authors

  • Rostyslav Semkiv National University ”Kyiv-Mohyla Academy”

Keywords:

the Revolution of Dignity, Orange Revolution, burlesque, satire, parody, pastiche

Abstract

The author analyzes the types of comic in the discourse of the Revolution of Dignity (2013—2014) in comparison with analogous elements of the discourse of the Orange Revolution (2004—2005). The author states that both discourses contain strong burlesque element, though it narrows as the last revolution bursts with tragic events of February 2014. Meanwhile, the satirical element gets stronger and more diverse. Pastiche also appears as not satirical, but ironic parody.

Author Biography

Rostyslav Semkiv, National University ”Kyiv-Mohyla Academy”

candidate of sciences (philology), associate professor, doctorant at the De partment of Literature Study

References

Bakhtin, M. (1990). Creative work of François Rabelais and people’s culture of the Middle Ages and Renaissance [In Russian]. Moscow, Khudozhestvennaya literatura.

Jameson, F. (1991). Postmodernism, or Cultural Logic of Late Capitalism. New York.

Hutcheon, L. (1991). A Theory of Parody. London, New York.

Rose, M. (1993). Parody: Ancient, Modern, and Post-modern. Cambridge.

Downloads

Abstract views: 246

Published

2017-04-12

How to Cite

Semkiv, R. (2017). Satire and humor in the discourse of the Revolution of Dignity. Filosofska Dumka, (4), 118–122. Retrieved from https://dumka.philosophy.ua/index.php/fd/article/view/27

Issue

No. 4 (2016): PHILOSOPHICAL THOUGHT

Section

ARTICLES

Metrics

Downloads

Download data is not yet available.

License

Authors who publish with this journal agree to the following terms:

  • Authors retain copyright and grant the journal right of first publication.
  • Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
  • Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).