Knowing and forgetting (An essay on a memory policy)
Keywords:
memory policy, sublime historical experience, Franklin R. Ankersmit, knowing and forgetting, historical consciousness, museum as an institutionAbstract
The problem of historical consciousness is vastly discussed at philosophical circles these days. The basic question is how can we have access to the past and is it possible yet. Theory of a sublime historical experience by Frank R. Ankersmit gives an answer to this question by arguing “forgetting” as a crucial element of modern historical consciousness. While developing this approach he author elaborate the integration of some sort of “forgetting in museum’s policy” and “policy of memory” as a whole and make proofs that “forgetting” is a fundamental aspect of the policy of memory, and when it is neglected it makes these policies open to manipulation which gains alternative in sublime historical experience.
References
Анкерсмит Ф.Р. История и тропология: взлёт и падение метафоры. — М.: Прогресс-Традиция, 2003. — 496 с.
Арендт Х. Жизнь ума. — СПб.: Наука, 2013. — 517 с.
Валери П. Проблема музеев // Валери П. Об искусстве. — М.: Искусство, 1993. — С. 205–208.
Доманска Э. Философия истории после постмодернизма. — М.: Канон+, РООИ «Реабилитация», 2010. — 400 c.
Мальро А. Зеркало лимба. — М.: Прогресс, 1989. — 520 с.
Ницше Ф. О пользе и вреде истории для жизни // Сочинения : В 2-х т. — М.: Мысль, 1990. — Т. 1. — С. 159–230.
Нора П. Проблематика мест памяти // Франция-память. — СПб.: Изд-во Санкт-Петербург. ун-та, 1999. — С. 17–50.
Adorno Th.W. Valéry Proust Museum // Adorno Th.W. Prisms. — Cambridge, Massachusetts: The MIT Press, 1988. — P. 173–186.
Clifford J. Museums as a contact zones // Clifford J. Routes: Trevel and Translation in the Late Twentieth Century. — Cambridge, MA: Harvard University Press, 1997. — P. 188–219.
Crimp D. On the Museum’s Ruins // The Anti-Aesthetic: Essays on Postmodern Culture / Ed. by H. Forster. — Seattle: Bay Press, 1987. — P. 43–56.
Dewey J. Art as Experience. — London: A Perigee Book, 2005. — 371 с.
Gere Ch. Museum, Contact Zone and Internet // Museum Interactive Multimedia 1997: Cultural Heritage Systems. Design and Interfaces. Selected papers from ICHIM 97. — Paris, 3–5 September 1997. — P.56 — 66. // ARHIVES&MUSEUMS INFORMATICS, 1997. — Режим доступу: http://www.arhchimuse.com/publishing/ichim97/gere.pdf.
Nagel T. What is it like to be a bat? // The Philosophical Review LXXXIII. — № 4. — 1974. — Р. 435–450. Режим доступу: http://organizations.utep.edu/Portals/1475/nagel_bat.pdf.
Walsh K. The Representation of the Past. Museums and Heritage in the Post-modern Wоrld. — New York: Routledge, 2002. — 204 р.
Downloads
-
PDF (Українська)
Downloads: 264
Published
How to Cite
Issue
Section
License
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).