Dance of expenditure

WINNERS OF THE NELLI IVANOVA- GEORGIEVSKA PRIZE

Authors

DOI:

https://doi.org/10.15407/fd2019.03.070

Keywords:

expenditure, dance-experience, butoh, Hijikata Tatsumi, Georges Bataille

Abstract

The article examines the impact of Georges Bataille’s philosophy on Hijikata Tatsumi’s butoh dance. Bataille’s understanding of dance as unproductive expenditure, the concepts of inner experience and communication are being reconsidered and incorporated in choreographic language of Hijikata, extending his technical and conceptual tooling. Bataille defines dance as an expenditure given in a form of sign. The butoh dance-experience is functioning as a metaphor of a speculation, created by a movement. It is experienced by dancers and spectators as an execution.

Author Biography

Anastasiia Prushkovska

postgraduate student at the department of Philosophy and Methodology of Cognition, Odesa I.I. Mechnikov National University.

References

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https://doi.org/10.3406/ebisu.2008.1528

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https://doi.org/10.3406/litt.2002.1777

Lamotte, S. (2018) Сe qui m'intéresse, c'est l'espace entre les corps, l'espace impalpable du sensible. Émission de radio. Animée par Sylvère Lamotte. Diffusée le 12 avril 2018. France Culture. [See also: https://www.franceculture.fr/emissions/les-carnets-de-la-creation/les-carnets-de-la-creation-du-jeudi-12-avril-2018]

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Sparshott, F. (1982). On the Question: «Why Do Philosophers Neglect the Aesthetics of the Dance?». Dance Research Journal, 15(1), 5-30.

https://doi.org/10.2307/1477691

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Abstract views: 384

Published

2019-12-05

How to Cite

Prushkovska, A. (2019). Dance of expenditure: WINNERS OF THE NELLI IVANOVA- GEORGIEVSKA PRIZE. Filosofska Dumka, (3), 70–76. https://doi.org/10.15407/fd2019.03.070

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